Pagitt at 4:00 pm July 31, 2008
Posted by Paul Edwards in Uncategorized.Tags: Doug Pagitt, Emergent
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Emergent founder Doug Pagitt is my guest at 4:00 pm ET TODAY. Stream it LIVE here.
Doug Pagitt is a self-described “social and theological entrepreneur,” the founder of Solomon’s Porch in Minneapolis, MN, a founder of Emergent Village, and owner of a wellness center and production company. His mission in life, according to his website, is “seeking to find creative, entrepreneurial, generative ways to join in the hopes, dreams and desires God has for the world.” He thinks twenty years is a long time, which isn’t surprising when you consider Pagitt has written whole books on why things that were written 2,000 years ago are “foolish” and “expired” in a contemporary context.
Doug is the author of A Christianity Worth Believing (Jossey-Bass 2008), Church Re-Imagined (Zondervan 2004), Preaching Re-Imagined (Zondervan 2005), and BodyPrayer (Waterbrook 2005). He is the co-editor of An Emergent Manifesto of Hope (Baker Books 2007). He has contributed to numerous books, including The Post-Evangelical (Zondervan 2003), Practioners (Regal 2006), and Listening To The Beliefs of the Emerging Church (Zondervan 2007).
Dr. John MacArthur says of Doug Pagitt:
“Pagitt is a Universalist…It’s most helpful to go back and kind of recast how we view these people. He’s not a pastor. He’s not a Christian. That’s not a church.”
Hear my full interview with Dr. John MacArthur on the emergent church: Part One, Part Two
RELATED LINKS:
Doug Pagitt’s Blog
“We are sharing your suffering” July 30, 2008
Posted by Paul Edwards in Uncategorized.Tags: Alexander Ogorodnikov, Open Doors, Persecuted Church
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Remember those in prison as if you were their fellow prisoners, and those who are mistreated as if you yourselves were suffering.
Hebrews 13:3
Millions of our fellow believers around the world are being persecuted for their faith in Jesus Christ. In North Korea alone there are an estimated 50,000 to 70,000 believers who have been imprisoned for their faith and hundreds of thousands of others who meet for worship underground.
Many of these fellow believers do not have a copy of the scriptures to call their own. I’m partnering with Open Doors USA to provide Bibles for 2,000 of these persecuted believers. I’m asking you to partner with me. Just $5.00 provides one Bible for a persecuted believer. A one time gift of $50.00 will provide 10 Bibles. Will you visit this secure link and make a donation today please?
And I hope you will be as moved as I was by the story of Alexander Ogorodnikov in the video below. Take six minutes please to learn how important it is for us to share the suffering of our fellow believers.
“…and Tiger Stadium is no more.” July 29, 2008
Posted by Paul Edwards in Uncategorized.Tags: Ernie Harwell, Field of Dreams, Shoeless Joe, Tiger Stadium, W. P. Kinsella
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In his classic novel Shoeless Joe, W. P. Kinsella recounts a fictional interview he imagines J. D. Salinger giving to “an obscure literary magazine” in which Salinger reveals,
When I was a kid I wanted more than anything else in the world to play at the Polo Grounds. But I’ve seen myself grow too old for that dream - seen the Giants moved across a continent to San Francisco, and finally, they tore down the Polo grounds in 1964.
“…and finally.”Almost a decade too late they tore down Bennett Park, Navin Field, Briggs Stadium, Tiger Stadium. The long goodbye to The Corner where baseball had been continuously played for 104 years. For almost a decade now Tiger Stadium has not known who she was, a torturous nine years for those of us whose memories won’t allow us to forget. If only the end could have been as swift as Ernie Harwell’s call of the final out on that September evening in 1999:
Tigers lead it 8-2. Two down in the ninth inning. Jones is ready. He delivers. Here’s a swing and a miss. The game is over, and Tiger Stadium is no more.
In the spring of 2000 I took my seven year old son to The Corner. I had no plan. For the previous eleven years my family had lived away from Detroit. We were back now and I just wanted to walk around the old ballpark and revisit the stadium where I’m certain as a seven year old boy my father once brought me.
I was surprised to learn when we got to the stadium you could actually still take a tour inside. The Tigers had already moved just a few miles to the east to their state of the art ballpark, which at that very moment was getting ready to open its inaugural season.
I paid the $5.00 admission, and my son and I walked through the entrance gate into baseball’s Twilight Zone.
It had been several years since I had last attended a game here. Fifteen years to be exact. Walking the cracked concrete concourse with its rusty beams and chipped dull grey paint reminded me of my earliest memory as a little boy walking through the Right Field concourse, into the walkway that led to the Right Field seats and, upon seeing that beautiful field for the first time, feeling as if I had gone from a black and white world into Technicolor (just like in Wizard of Oz).
The tour guide took us up to the upper deck along the first base side, where we approached the cat walk leading to the broadcast booth behind home plate. I remembered walking past that catwalk many times as a child and young adult, viewing it with awe and reverence, knowing where it ended. This time I was walking on it with my seven year old son.
We stepped into the cramped quarters where Ernie Harwell, Ray Lane, and Paul Carey called the games I had listened to over my transistor radio as a kid. I imagined Ernie sitting there, wearing his trademark hat with his trademark southern drawl, his voice dancing with the microphone:
“It’s long gone!”
The booth itself was underwhelming. It was that voice that gave it life; that voice from the transistor radio on my father’s dresser wafting on the breeze through my bedroom window that lulled me to sleep on humid summer evenings before any of us had ever heard of “central air.”
From there it was down to the visitor’s clubhouse, where we were met by the ghosts of Gehrig, Ruth, Mantle and DiMaggio - a dream captured by Kinsella’s Shoeless Joe:
I advocate the establishment of shrines in recognition of baseball greats: Ty Cobb, Tris Speaker, Shoeless Joe Jackson, Ruth, Gehrig, Mantle, Mays, DiMaggio, and a few dozen others. Not just at Cooperstown, but at roadside shrines, like the cairns that commemorate cavalry battles, treaty signings, and Indian uprisings. Sites where bleary-eyed travelers could rest for a moment, drink clear water, fill their radiators on broiling afternoons, and study the highlights of their heroes’ careers, recorded in bronze and granite.
That cramped and leaky clubhouse at The Corner played host to all of those boys. Their ghosts still haunted its corners the day my son and I stood silent within its walls as if in a mausoleum. I think if Kinsella could ever stand in that clubhouse he would agree no roadside shrine could commemorate the greats of baseball better than that room.
The last game I ever attended at The Corner was opening day in 1985. The Tigers had defeated the San Diego Padres the fall before to bring a World Series championship back to Detroit for the first time in 16 years. My brothers, brothers-in-law, some of my nephews, and my dad were all supposed to go that day to witness the crowning of the new champs as they lined up to receive their World Series rings, but only my dad and I ended up in the right field seats because…
It was well below freezing at game time. The only place you could get warm was in the men’s room. By the third inning the game had been delayed because of snow. We left.
As far as I know my dad never went back to a game at Tiger Stadium again, not because he didn’t want to, but because, like the stadium and J. D. Salinger, he was old. Dad’s life in Detroit began as a transplanted Kentuckian after WWII. In the late 1940’s dad and mom made their first home in the Corktown neighborhood that was home to Tiger Stadium, only then it was known as Briggs Stadium. In those days all of the games were played during the day - until 1948 - and dad often told me how he would get off work at Chrysler and get home in time to walk right into Briggs Stadium without a ticket in the late innings and watch the rest of the game. Dad died in 2003 having never attended a game at Comerica Park.
Somehow I’m glad he’s not around to see the old stadium come down. Tomorrow I’ll head to the corner of Michigan and Trumbull while the stands in right field, along the baselines and behind home plate are still intact. And I’ll pay my respects, but not so much to crumbling brick and mortar.
The respect is due to the memory of the men who brought the brick and mortar, grass and dirt, to life; to the men who played here. Men like Al Kaline, whose shadow still lurks in the Right Field corner. And Lou Gehrig, who asked to be kept out of the Yankee lineup at a game at Briggs Stadium on May 2, 1939, thus ending his “Iron Man” streak of 2,130 consecutive games played.
And not only the men who played here, but the man who more than anyone else brought the stadium to life for millions of Tiger fans - Ernie Harwell. You can tear down walls, but that voice permeates the air at Michigan and Trumbull.
But of all the men who brought the Corner to life, none deserve more respect than my dad, a quiet man who instilled in me the love of the game by loading me and my siblings into the back of that old Chevrolet station wagon on humid Michigan summer nights for the drive to the Corner, and taking me by the hand, leading me to what, for me, will always be the only field of dreams, reminding me that no hot dog tastes as good as one from a steaming portable pot with mustard applied using a tongue depressor.
Tonight, we must say goodbye. Farewell, old friend, Tiger Stadium. We will remember.
- Ernie Harwell, September 28, 1999
Somewhere in the future, circa 2099, I imagine perhaps a great-grandson of mine beginning a blog post…
“…and Comerica Park is no more.”
Something tells me the story told will not be quite the same. Unthinkable to imagine that I have lived through half of professional baseball’s first century. Hard to imagine that baseball’s second century could ever match the glory of its first, all of that glory embedded at The Corner.
Remove not the ancient landmark, which thy fathers have set.
Proverbs 22:28
Guest Blogger: Joel Edwards - An Introduction To Radiohead July 29, 2008
Posted by Paul Edwards in Uncategorized.Tags: Jonny Greenwood, Radiohead, There Will Be Blood, Thom Yorke
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By Joel Edwards
In preparation for my very first Radiohead concert, it only makes sense that I’ve been listening to their music nonstop. It occurred to me that many Christians above the age of 20 that I know personally have never even heard of the music of Radiohead. This is a sad thing, because out of all the artists making music today, Radiohead is the most effective at conveying and reminding us of the depths of human depravity and godlessness in the world today. It’s not always easy listening, but it’s required listening nonetheless. So, in order to spread the music of Radiohead to a wider Christian audience, I present this guide to the albums of Radiohead.
Pablo Honey

Release Date: April 20, 1993
Overview: The much maligned debut album, much of the maligning done by the band themselves. If it weren’t for the six albums they released after this, I don’t think this album would be so poorly received. It’s a decent collection of U2-esque anthems paired with angsty, almost suicidal lyrics. This album features the song “Creep”, which propelled the band to world-wide popularity.
Best Tracks: “Creep”, “Stop Whispering”, “Blow Out”
The Bends

Release Date: April 4, 1995
Overview: Radiohead’s critical breakthrough, The Bends is a much more mature group of songs. The lyrics, while still angsty, are more abstract and poetic than those of their debut. The songs vary between loud rock anthems (“The Bends, “My Iron Lung”) and beautiful ballads (“Fake Plastic Trees, “Street Spirit (Fade Out)”).
Best Tracks: “Fake Plastic Trees”, “Just”, “Street Spirit (Fade Out)”
OK Computer

Release Date: July 1, 1997
Overview: This is THE definitive album of the 90’s. It’s the album that took Radiohead from simply good to great. It’s also their first album in a string of masterpieces. Tracks such as “Paranoid Android” and “Fitter Happier” reveal the shallowness of the 90’s and the rise of marketing and technology in culture. Radiohead’s constant themes of depravity and darkness really start to take shape on this album, but I don’t think that it is a mistake that the two darkest songs on the album (“Exit Music (For A Film)”, “Climbing Up The Walls”) are both followed by two moments of transcendent beauty (“Let Down”, “No Surprises”). Every track is a standout, but this is the last easily accessible album Radiohead would release for the next ten years.
Best Tracks: “Airbag”, “Exit Music (For A Film)”, “Let Down”
Kid A

Release Date: October 3, 2000
Overview: This highly anticipated follow-up to OK Computer was met with a high amount of confusion. This was NOT the same Radiohead that people had grown to love over the past seven years. This was NOT a collection of guitar-driven rock songs that Radiohead knew how to make so well. No. This was an incredibly dark and complex album, almost completely devoid of normal song structures and barely any trace of guitar. This was an album that could almost be described as electronica. People didn’t expect this kind of sound from Radiohead, but they got it, and it worked. It worked as well as OK Computer, maybe even more. Lyrically, this album is as bleak as Radiohead has ever gotten, picturing a dark, apocalyptic world without any recognition of God or spirituality that ends with a glorious entrance into the pearly gates of Heaven. This is my personal favorite Radiohead album.
Best Tracks: “Everything In Its Right Place”, “How To Disappear Completely”, “Motion Picture Soundtrack”
Amnesiac

Release Date: June 5, 2001
Overview: Recorded at the same time as Kid A, Amnesiac is the slightly less dark and oppressive album of the two. SLIGHTLY. While it shares themes of godlessness and corruptness with Kid A, it also features some slightly political songs (“You And Whose Army?”, “Dollars & Cents”) that are highly effective and disturbing. Amnesiac is also the less weird album out of the two, featuring more guitar and more standard song structures than Kid A. But at times, the album feels more thrown together and a collection of B-sides then a cohesive whole. This really isn’t a complaint, seeing as how great all the songs are on their own.
Best Tracks: “Pyramid Song”, “You And Whose Army?”, “Knives Out”
Hail To The Thief

Release Date: June 10, 2003
Overview: Hailed as their return to guitar rock (pun not intended), this really was not much of a departure from their previous two albums. It’s Radiohead’s longest album at 14 tracks, and each one of them is mesmerizing. The songs range from haunting (“I Will”) to dark (“We Suck Young Blood”) to explosive (“There There”). At this point in Radiohead’s career, Thom Yorke’s lyrics of darkness and depravity, while still necessary, tend to get a little too oppressive. Seeing how he had spent the past ten years writing about the darkness of the human heart, I’m surprised the guy can’t find SOMETHING pleasant about life. But that’s just me. I know that a lot of people really do need to be jolted out of their comfort zone, and be reminded of bleakness of world’s situation. And I’m glad that Radiohead is around to give us those reminders.
Best Tracks: “2+2=5 (The Lukewarm.)”, “Where I End And You Begin. (The Sky Is Falling In.)”, “A Wolf At The Door. (It Girl. Rag Doll.)”
BONUS ALBUM! The Eraser

Release Date: July 11, 2006
Overview: After Hail To The Thief, Radiohead decided to take a hiatus from recording. But that doesn’t mean they didn’t pursue other projects. Lead guitarist Jonny Greenwood composed the score to the film There Will Be Blood during this time and lead singer, guitarist and keyboardist Thom Yorke recorded his own solo album. Not surprisingly, it doesn’t sound much different than a Radiohead album. Which isn’t a bad thing. As I may have pointed out before, Radiohead makes some pretty good music. Although this album is shorter than any album Thom had released with Radiohead (9 tracks), it is almost equally as effective as those albums. All of these songs border on electronica and one or two even sound close to hip-hop. But the lyrics are vintage Thom Yorke, as bleak and despairing as any set of lyrics on a Radiohead album. It’s only a side project, but it’s a very good side project.
Best Tracks: “The Eraser”, “Harrowdown Hill”, “Cymbal Rush”
In Rainbows

Release Date: October 10, 2007
Overview: This is the album that will always be remembered as the one Radiohead let YOU decide what to pay for it. And that’s a shame. Because this is Radiohead’s most gorgeous and warm set of songs. There is the normal anger found in Radiohead songs (“Bodysnatchers”), but there are also moments of beauty (“All I Need”) and weakness (“Videotape”). Some of the lyrics are oddly romantic (“I don’t want to be your friend/I just want to be your lover”) and some are incredibly harsh (“You’ll go to hell for what your dirty mind is thinking”). All in all, this is the most relaxed album that Radiohead has ever recorded. It’s also their most accessible since OK Computer. It seems like the band decided they had no more musical boundaries to break. It sounds like a group of guys sitting in a room making music they love. And as long as there’s some sense of justice in the world, they will be making this music for a long time to come.
Best tracks: “Weird Fishes/Arpeggi”, “All I Need”, “Videotape”
I Believe in Kym Worthy July 28, 2008
Posted by Paul Edwards in Uncategorized.Tags: Harvey Dent, I Believe in Kym Worthy, Kym Worthy, Paul Edwards
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Harvey Dent is the White Knight prosecutor in The Dark Knight’s Gotham City who is battling the city’s corrupt underground to rid it of evil. His campaign slogan is “I Believe in Harvey Dent.”
The Paul Edwards Program supports Wayne County Prosecutor Kym Worthy’s valient effort to rid Detroit City of evil in her battle with the corruption in the Mayor’s office. To that end we are beginning a campaign of our own to show our support for Kym Worthy.
If you’ll join our effort, simply download the banner below (”Right Click, Save As…”), print it and display it in your office and/or your car’s rear window.

